Our Ethical Duty to Prevent Child Abuse Essay -- Violence Against Chil

Beating children, chronically belittling them, using them for sexual gratification, or depriving them of the basic necessities of life are acts that cannot be permitted in a civilized society. Tolerating child abuse denies the worth of children as human beings. Each of us has a moral obligation to turn in a child abuser. In the United States, teachers are told to report child abuse to the Department of Community Services because the department has the responsibility and legal mandate to insure a child's safety, care, and welfare (Bender et al. 1). Why must this responsibility be separate among people who live in the same city and care for these children? The Department of Community Services (DCS) should not have to be concerned with the moral responsibility of protecting a child or doing everything correctly as to not violate a law. They should only have to be watching out for these children and find ways to stop child abuse. This needs to change by building a real community where everyone can feel active, involved, and as though they are making a difference. The presence of child abuse goes back as far as history can remember. It was present in such societies as Ancient Egypt and Rome. We remember these societies as being great and prosperous. On the down side child abuse was very common, and mostly by the elite who had the power and the gold. We also have cases of child abuse in the Church. And when the case of the child is over the priest is just sent away to another city to preach, with the chance of the abuse happening again. People need to speak out to stop this "higher Power" from getting away with such a hurtful crime (Pride 1). "The Social service ... ...ave no future if our children are treated worthlessly. Community is a big key here. And community needs to come together and fight against child abuse. Protection of children from harm is not just an ethical duty; it is a matter of national survival. Works Cited Bender, et al. Child Abuse-Opposing Viewpoints. San Diego CA, Green haven Press Inc., 2004. Jackson, Valerie. Racism and Child Protection-The Black Experience of Child Sexual Abuse. London: Cassell Press, 2011. Kalichman, Seth C. Mandated Reporting of Suspected Child Abuse, Ethics, Law, and Policy. Washington DC: APA, 2005. Pride, Mary. The Child Abuse Industry. Illinois: Crossway Books, 2009. http://www.alex.edfac.usyd.edu.au/LocalResources/DepartPol/Childprotect/Child%20prot%20html#index. Roystone, Jennifer. All of our Children. 2008. http://www.vcuethics.org/

One Day in the Life of Ivan Denisovich Essay

One Day in the Life of Ivan Denisovich Essay Prompt 2: Many of the characters in One Day in the Life represent specific human qualities and the suitability or value of those qualities for the life in the camps. What characters does Shukov view positively and why? Who are the flawed characters and what are their failings? What about their life before the camps hurts or helps their chances of survival once inside? In assessing these people, what does Shukov reveal about his own values?In Aleksandr Solzhenitsyn’s novel, One Day in the Life of Ivan Denisovich, the main character Ivan Denisovich Shukov is an inmate serving his eighth year in a Russian labor camp. Shukov had been sentenced to ten years and three days (the three days are make-up days to compensate for leap years) for supposedly being a Nazi spy (182). In reality, he had been imprisoned by the Germans and somehow managed to escape. In the eyes of the Soviets, those who did escape were considered Nazi spies; thus, Shuk ov was forced to admit that he was a spy in order to live (70).Solzhenitsyn further describes Shukov’s traits as well as the characteristics of the people he comes in contact with on a daily basis in this novel. Ivan Denisovich Shukov is part of a work gang, who is referred to as Gang 104. In this work gang, Shukov associates with many men—including those whom he views positively as well as some whom he views negatively. Alyoshka the Baptist, Senka Klevshin, Andrei Prokofyevich Tyurin, Pavlo, Jan Kildigs, Tsezar Markovich, Gopchik and Captain Buynovsky are all whom Shukov views positively and are either part of Gang 104 or are somehow associated with the work gang.Although there are many of whom Shukov views positively, there is also one in particular whom he views negatively, Fetyukov. These men all have specific human qualities that may help or harm them in their chances of survival in the labor camps. Alyoshka the Baptist and Senka Klevshin are two of whom Shukov vi ews positively, but in different ways. They are both quiet men who have been sentenced for 25 years in the labor camps, but for different reasons. Alyoshka was sentenced just for being a Baptist and Klevshin was sentenced because he had been with the Americans for a mere two days (45,126).Shukov views Alyoshka in a positive manner because he is an extremely optimistic and generous person despite his surroundings. He does favors for everyone and does whatever asked of him without complaint (109). Alyoshka sees prison as a good thing since he claims that he has time to focus on and think about his soul. These positive thoughts will help Alyoshka’s chances in prison because he will be extremely resilient to any harsh conditions. Klevshin is also favored by Shukov because of the loyalty he shows to his fellow workmates.His loyalty to Shukov was notable especially when he purposely ran slowly in order for Shukov to catch up to him leaving the Power Station work site (114). Shukov knew that Klevshin would rather be in trouble along with Shukov instead of letting him get punished on his own (114). This kind of loyalty will help Klevshin in camp life because he will gain a considerable amount of respect from other workmates. Andrei Prokofyevich Tyurin and Pavlo are two foremen of Gang 104—both whom Shukov views positively and respects.The foremen are both strict and caring people whom have gained much respect from the inmates they watch over. Tyurin is described as a fierce and smart leader who saw that the men were well fed and had good rations (46). These foremen’s traits keep the men in Gang 104 better off than the rest and inspire them to work harder for their gang. Two others whom Shukov respect are Jan Kildigs and Tsezar Markovich. These men are both rich and receive bimonthly parcels.Jan Kildigs is a Latvian bricklayer who is loved for his sense of humor (56). Shukov respected Kildigs because he worked with pride—he did not like to r ush his work and enjoyed taking his time to do things right (109). Tsezar was highly regarded by Shukov because of his character—he was respectful and trustworthy (48). The two men have a high chance of survival in the labor camps because they gave all the right people a handout and bribery worked wonders in the camp (48). Gopchik and Captain Buynovsky were also favored by Shukov.Gopchik was only about sixteen years old and was jailed for bringing milk to Ukrainian guerillas (63). He was very crafty and Shukov felt that he had potential to be a good camp dweller (149). Gopchik was smart and Shukov thought highly of him, even saying that he has potential to have a good job in the camp, such as a bread cutter (150). Gopchik’s craftiness would give him a high chance of survival as compared to others. One of the â€Å"others† would be Captain Buynovsky, who seems to be in a state of denial.He is a proud man who as an ex-Captain who according to Shukov, had no idea h ow to look after himself. However, he is diligent and works hard—which Shukov admires him for. Fetyukov, on the other hand, is a scavenger whom Shukov views negatively. Fetyukov was a leech and beggar who did everything in his power for extra food and cigarette butts (31). Many, including Shukov, pitied him at times but also despised his actions. Fetyukov was lazy and made work easier for himself by cheating.For example, while carrying mortar, he would purposely splash some out of his handbarrow so that it would be lighter to carry (101). Fetyukov further degraded himself by begged for food which at times backfired. He was greedy and scrounged for extra bread or other types of food and was even beaten by the Guards for licking bowls in the mess hall (163). In Shukov’s eyes, people like Fetyukov would only survive by relying on others’ pity and generosity towards him. Shukov also found ways to benefit himself, but he did so with dignity and pride, unlike Fetyukov .Instead of begging for tobacco or food, Shukov would work for his share or discretely hint that he wanted something regardless of how much he actually wanted it. For example, when it came to tobacco, Shukov would merely just stand next to someone smoking, and without saying anything, the smoker would ask if he wanted the butt of his cigarette (26). Shukov also worked for his tobacco by making slippers from rags or patching jerkins (156). He also haggled his way into getting a larger share of tobacco from those selling it (158).Shukov not only worked for his tobacco, but also for his food. He would volunteer to wait in line for people in hope that they will give him their share of food, in which most of the time, they did (142). Ivan Denisovich Shukov was a proud man who was competitive and meticulous in his work ethics. The best example of his pride and competitiveness would be when he says that â€Å"he’d feel pretty sore if others in the village got ahead of him (44). â⠂¬  Shukov was a skilled carpenter who was proud of his work and enjoyed doing things correctly.He would correct others when they were doing something wrong, such as cutting tarred paper incorrectly (64). He also showed how meticulous he was by straightening others’ work and by carefully selecting his own cinder blocks to fit into spaces perfectly (110). Shukov worked quickly, was a very hard worker and stayed behind to finish his and others’ jobs because he felt that he could not let anyone’s work go to waste (113). Ivan Denisovich Shukov acquainted himself with many people who helped him discover himself and his limits when it came to survival.He did not want to degrade himself by begging like Fetyukov had done but he instead found a way to benefit himself by not even asking directly. He discovered that regardless of his tough situations, he still found himself quite optimistic and proud of his work. Those whom he views positively and respected became a type of role model for him and he learned from them. He also learned from those whom he thought of negatively in such a way that he would never stoop down to their level. He was a proud person and kept his pride throughout his time at the labor camp.

The Tragic Hero Of Shakespeare s Othello - 1613 Words

A tragedy is one of the most captivating forms of drama as it truly grasps the attention of its audience. It unleashes hidden emotions and allows the viewers to escape their own realities. In Aristotle’s, Poetics, he analyzes the theory of a tragedy and explains that the essential criteria of an ideal tragedy consists of the plot, character, thought, diction, spectacle, and song (Aristotle, 169). According to Aristotle, tragedies also often focus on a tragic hero who possesses a flaw which ultimately leads to their downfall. In fact, Aristotle prescribes the three most important points to any tragedy to be hamartia, a tragic flaw in the tragic hero’s character that brings about his downfall, catharsis, a purgation of the audience’s emotions and anagnorisis, the character’s revelation of some fact not previously realized. In William Shakespeare’s play, Othello, Othello is an excellent example of an Aristotelian tragic hero. He was a character of nobl e status until his jealousy and gullibility lead him astray. Moreover, the play has a complex plot with a powerful climax and conclusion which lets the audience feel the vulnerability of the characters. Lastly, the characters face a point of realization where they can finally see the people around them are not who they seemed to be. Overall, Othello is one of Shakespeare’s greatest tragedies as it follows all the requirements to be an ideal tragedy according to Aristotle’s Poetics. To begin, Shakespeare’s protagonist, Othello,Show MoreRelatedShakespeare s Othello As A Tragic Hero1517 Words   |  7 PagesAristotle and why does he label Shakespeare’s play, Othello, as a tragedy? Aristotle is a famous Greek philosopher who defines Shakespeare’s character, Othello, as a tragic hero. Many parts in Othello tell the readers that the play is a tragedy, such as jealousy, arguing, and death, which makes the play famous and delightful to read. Aristotle has identified many common traits or characteristics that a tragic hero requires. In Shakespeare s play, Aristotle defines many features that cause theRead MoreWilliam Shakespeare s Othello As A Tragic Hero1323 Words   |  6 PagesIn literature tragic heroes can be defined as a character that makes a flawed judgment that inevitably leads to their own demise. William Shakespeare’s Othello the Moore of Venice is a play about a heroic individual that goes through a tragic event based on his decisions throughout the play. Many of the characters that Shakespeare presents in his plays reveal attitudes and value that is reflective of both the Elizabethan society in sixteenth century England and William Shakespeare; these values areRead MoreWilliam Shakespeare s Othello As A Tragic Hero1322 Words   |  6 PagesA hero usually a man, who is admired or idealized for courage, outstanding achievements, or noble qualities (Dictionary.com). In life, heroes will arise whenever they are needed. It may be a tall man that wears a cape and has super powers. As a matter of fact it may be the everyday heroes that are seen giving a homeless man a coffee or helping an old lady cross the street. It may be the heroes that are see in movies and graphic novels, rescuing the princess from her tower or leading their countryRead MoreEssay on The Tragic Hero in William Shakespeare ´s Othello617 Words   |  3 PagesTragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the playRead MoreOthello As A Tragic Hero872 Words   |  4 PagesVenice, Othello is transformed into a crazy, senseless man. William Shakespeare uses the idea of a tragic hero in almost all of his dramas. A tragic hero can be described as a person of high status who is neither completely good nor completely evil, possesses a tragic flaw, and leaves this flaw to be the reason for his/her downfall. Othello believes he can trust one of his soldiers, Iago, who is determined to seek revenge on Othello for not promoting him to be a lieutenant. Othellorsquo;s temperRead MoreTragedy In Shakespeares Othello1519 Words   |  7 Pagesclassic tragedy. This can be observed through action as seen in Shakespeare’s Othello. Shakespeare’s play Othello, most closely resembles the Greek philosopher’s theory of tragedy that achieves Aristotle s four unities (simplify this sentence): Hamartia, Peripetia, Anagnorisis and Catharsism. With Shakespeare adapting Aristotle’s theory of tragedy and its unities, it enables the playwright to present Othello as the tragic hero of the play that drives the narrative rather than Machiavellian Iago. AudiencesRead MoreOthello is Not a Tragic Hero Essay1481 Words   |  6 PagesOthello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is â€Å"Why is Othello a qualification for a tragedy?† Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeedRead MoreThe Tragic Flaw Of Shakespeare s Othello1108 Words   |  5 Pages â€Å"Othello† tragedy, written by Williame Shakespeare, is an excellent example of Renaissance humanism. Tragedy is a drama or literary work in which the main character is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw. Othello was brought down by a fatal fault jealousy in his character. Shakespeare s other great tragedies -- Hamlet, Macbeth and King Lear -- deal with issues that affect the well-being of entire nations, whereas Othello is a tragedy withRead MoreOthello, By William Shakespeare Essay1203 Words   |  5 PagesDramatic play entitled Othello is an unusual story full of jealousy, dark misunderstandings, lies, and regrets. Following Aristotle s definition of a true tragedy, w here does the tale of Othello fall? Is Othello too dramatic too be considered a tragedy or does it barely fall along the lines of tragic? Shakespeare s innovation with poetry and dramatic plays have been recognized by critics and playgoers throughout the centuries (Lee,1899). The Bard s play entitled Othello, is among some of the mostRead MoreThe Tragic Tragedy Of William Shakespeare s Othello1523 Words   |  7 PagesAristotle’s definition fits perfectly with William Shakespeare epic play, Othello. The famous Shakespeare play is about the downfall of a Moorish general who expresses jealousy and murder. Othello was an amazing general for the Venice army, but his downfall cost him everything he loved so dearly. He killed his own wife because he believes Iago’s lies about her cheating on him. His beliefs in Iago cost him everything that is precious to him. Othello can be seen as a great tragedy, and the play filled

Edgar Wright - Hot Fuzz And Shaun Of The Dead - 1262 Words

Edgar Wright - Hot Fuzz and Shaun of the Dead By Brearna Sandri Shaun of the Dead In this close viewing I will be using the films Shaun of the Dead and Hot Fuzz, directed by Edgar Wright, to show significant aspects/techniques of different scenes used in both films. I will be focusing on the features of sound effects, dialogue and comparing near same scenes within two different films and the aspects that Edgar Wright was trying to cover. Shaun of the Dead and Hot Fuzz both have fence jumping scenes. In Shaun of the Dead, the scene is opened with Shaun opening the gate quite forcefully along with the rest of his team. Shaun says â€Å"The Winchester’s just over there† and David says in a sarcastic tone, â€Å"Just over there behind the 20 garden fences?† When David is saying the last bit of his sentence the camera pans over the fences in which they have to jump to show audiences what they have to jump over. For example, to show why David is being sarcastic towards Shaun, and why it’s being used in that particular scene, Shaun then says â€Å"What’s the matter, David? Never taken a shortcut before?†, and smirks while turning behind, and tries to jump over the fence but ends up making the fence fall over. He then picks himself back up and subtly tries to make it seem like he didn’t just break the fence. The background noise in this scene is filled with car alarms, house a larms and deep music/sound effects. This creates the effect of a crisis situation, as they are in a zombie apocalypse.Show MoreRelatedCharacter Analysis Of Hot Fuzz933 Words   |  4 Pagesseriously. Comedic films have provided entertainment to the people of the world for years. They are the go-to method form of comic relief and is valued greatly in the world. A great example of this would be the movie, Hot Fuzz. Directed by Edgar Wright and released on March 14, 2007, Hot Fuzz is about a London police officer, Nicholas Angel, who is very good at his job and is â€Å"too good† for London, and is reassigned to a quiet town called, â€Å"Sandford†. In this town, the police force is completely uselessRead MoreAnalysis Of The Film The Flies By F. Scott Fitzgerald1410 Words   |  6 Pagesbeing sent to Sanford. Many lines are repeated 3 times over. This could be in reference to fairytales always using the number 3, since this plot seems far-fetched like a fairytale. How ever, it could also be in reference to the trilogy of films that Wright and Pegg made together. Then, there is the swan symbol. Swans typically symbolize grace, beauty, and peace. In the film, though, the swans symbolize an overbearing distraction. Nicholas is constantly surrounded by them in the hotel he stays at, which

Descartes’, Spinoza’s, and Leibniz’s Response to the...

Since Descartes many philosophers have discussed the problem of interaction between the mind and body. Philosophers have given rise to a variety of different answers to this question all with their own merits and flaws. These answers vary quite a lot. There is the idea of total separation between mind and body, championed by Descartes, which has come to be known as â€Å"Cartesian Dualism†. This, of course, gave rise to one of the many major responses to the mind-body problem which is the exact opposite of dualism; monism. Monism is the idea that mind and body one and the same thing and therefore have no need for interaction. Another major response to the problem is that given by Leibniz, more commonly known as pre-ordained harmony or†¦show more content†¦They exist as substances and according to Descartes they are the only two substances that exist in the universe. His argument for dualism is, â€Å"†¦on the one hand I have a clear and distinct idea of myself, insofar as I am merely a thinking thing and not an extended thing, and because on the other hand I have a distinct idea of a body, insofar as it is merely an extended thing and not a thinking thing†¦(50)†. Descartes says that we exist insofar as we are unextended thinking things and thus can exist without a physical body (50). Furthermore, Descartes reasons that there are certain things that the mind can do that the body cannot do and vice versa (50-51). For instance, Descartes says that the ability to imagine and understand things must exist solely in the mind because there is no available option for the body to understand on its own (51). Much in the same way he reasons that the mind cannot move or change shape and thus must exist in some other substance (51). It is here that we see Descartes’ distinction between mind and body and how they do not exist in the same realm as one another. Descartes also makes the distinction between mind and body by saying the body is divisible at all times and the mind can never be divided (53). That is to say that he thinks that the body can be split up into smaller sections each of which are then considered in their own right, but the mind, however, is always one substance and cannot be divided up into smaller

The Golden Lily Chapter 19 Free Essays

string(19) " once he was gone\." â€Å"SHE WAS LEAVING TOWN,† I reminded him. â€Å"Not until tomorrow.† He was right, I realized. We will write a custom essay sample on The Golden Lily Chapter 19 or any similar topic only for you Order Now When we’d spoken to Sonya last night, she’d said two days. â€Å"Are you sure she’s really disappeared?† I asked. â€Å"Maybe she’s just†¦ out.† â€Å"Belikov’s here, and he’s freaked out. He says she never came home last night.† I nearly dropped the phone. Last night? Sonya had been gone that long? That was nearly twenty-four hours ago. â€Å"How did no one notice until now?† I demanded. â€Å"I don’t know,† said Adrian. â€Å"Can you just come over? Please, Sydney?† I was powerless when he used my first name. It always took everything to an extra level of seriousness – not that this situation needed any particular help. Sonya. Gone for twenty-four hours. For all we knew, she wasn’t even alive if those sword-wielding freaks had caught her. Brayden’s face was a mix of incredulity and disappointment when I told him I had to leave. â€Å"But you just†¦ I mean†¦Ã¢â‚¬  It was a rare moment of speechlessness for him. â€Å"I’m sorry,† I said earnestly. â€Å"Especially after being late and ruining the museum. But it’s a family emergency.† â€Å"Your family has an awful lot of emergencies.† You have no idea, I thought. Instead of saying that, I simply apologized again. â€Å"I really am sorry. I†¦Ã¢â‚¬  I nearly said I’d make it up to him, but that was what I’d said when I left the Halloween dance early. Tonight was supposed to have been the makeup date. â€Å"I’m just sorry.† ADRIAN’S PLACE WAS CLOSE ENOUGH that I could’ve reasonably walked, but Brayden insisted on driving me, since dusk was falling. I had no problem accepting. â€Å"Whoa,† said Brayden, when we pulled up to the building. â€Å"Nice Mustang.† â€Å"Yeah. It’s a 1967 C-code,† I said automatically. â€Å"Great engine. My brother’s. He’s moved it again! I hope he wasn’t out driving anywhere he wasn’t supposed to – whoa. What’s that?† Brayden looked at where I was staring. â€Å"A Jaguar?† â€Å"Obviously.† The sleek, black car was parked just in front of Adrian’s Mustang. â€Å"Where’d it come from?† Brayden had no answer, of course. After more apologies and a promise to get in touch, I left him. There was no pretense of a kiss, not when he was so disappointed in the evening’s outcome and I was too anxious about Sonya. In fact, I forgot all about Brayden as I walked up to the building. I had bigger concerns. â€Å"It’s Clarence’s,† said Adrian, as soon as he answered the door. â€Å"Huh?† I asked. â€Å"The Jag. I figured you’d want to know. He let Belikov drive it over since Sonya left with the rental.† He stepped aside as I entered and shook his head in dismay. â€Å"Can you believe it was locked away in his garage the whole time I lived with him? He said he forgot he owned it! And there I was, stuck with the bus.† I would’ve laughed under almost any other circumstances. But when I saw Dimitri’s face, all humor left me. He was pacing the living room like a trapped animal, radiating frustration and concern. â€Å"I’m an idiot,† he muttered. It was unclear if he was talking to himself or us. â€Å"I didn’t realize she was gone last night, and then I spent half the day thinking she was out gardening!† â€Å"Did you try calling her cell?† I knew it was a foolish question, but I had to begin logically. â€Å"Yes,† Dimitri said. â€Å"No answer. Then I double-checked to make sure her flight hadn’t changed, and then I talked to Mikhail to see if he knew anything. He didn’t. All I succeeded at doing there was making him worry.† â€Å"He should,† I murmured, sitting on the edge of the couch. Nothing good could come of this. We knew the Warriors were obsessed with Sonya, and now she’d disappeared after going out alone. â€Å"I only just found out she came to see you two,† added Dimitri. He stopped pacing and glanced between us. â€Å"Did she say anything at all about where she was going?† â€Å"No,† I said. â€Å"Things didn’t exactly†¦ end well between us.† Dimitri nodded. â€Å"Adrian implied the same thing.† I looked up at Adrian and could tell he didn’t want to get into it any more than I did. â€Å"We had an argument,† he admitted. â€Å"She was trying to push Sydney into some experiments, and Sydney refused. I jumped in when Sonya kept pushing, and finally she just took off. Never said anything about where she was going.† Dimitri’s face grew darker. â€Å"So, anything could’ve happened. She could’ve been taken right outside on the street. Or she could have gone somewhere and been abducted there.† Or she could be dead. Dimitri was speaking in terms of her still being alive, but I wasn’t so sure. The hunters who had jumped us in the alley had seemed pretty intent on killing her then and there. If she hadn’t come home last night, the odds seemed good they’d found her then. Twenty-four hours was an awfully long time to keep a â€Å"creature of darkness† alive. Studying Dimitri’s face again, I knew he was well aware of all of this. He was simply operating on the hope that we had a chance to do something, that we weren’t powerless. Resolved, Dimitri strode for the door. â€Å"I have to go talk to the police.† â€Å"Missing person report?† asked Adrian. â€Å"That, and more importantly, to get a search out on that car. If she was taken†¦Ã¢â‚¬  He hesitated, driving home the fear that lurked in all of us. â€Å"Well. If she’s hidden away somewhere, she’s going to be very difficult to locate. But it’s a lot harder to hide a car than one woman. If the police can get its description out there, we might get a clue if it turns up.† He started to open the door and then glanced back at us. â€Å"You’re sure you don’t remember anything else she said that could help?† Adrian and I reiterated that we didn’t. Dimitri left, giving us unnecessary instructions to alert him immediately if we thought of anything or – if by a miracle – Sonya showed up. I groaned once he was gone. You read "The Golden Lily Chapter 19" in category "Essay examples" â€Å"This is my fault,† I said. Adrian looked at me in surprise. â€Å"Why on earth would you say that?† â€Å"Sonya came here – left when she wasn’t supposed to – because of me. Because of my blood. Who knows what would’ve happened if I hadn’t refused? Maybe a few minutes difference, and the hunters wouldn’t have been around. Or maybe if she hadn’t been so upset, she would’ve been able to defend herself more.† A million memories tumbled through my head. Sonya making the lily grow for me. Sonya talking to the queen on Adrian’s behalf. Sonya showing me pictures of bridesmaid dresses. Sonya working diligently to stop Strigoi and redeem herself. All of that could be lost now. â€Å"Maybe, maybe, maybe.† Adrian sat down near me on the couch. â€Å"You can’t think like that, and you sure as hell can’t blame yourself for the actions of some crazy paranoid fringe group.† I knew he was right, but it didn’t make me feel any better. â€Å"I should call the Alchemists. We’ve got ties to law enforcement too.† â€Å"Probably a good idea,† he said, though his words were a little halfhearted. â€Å"I’ve just got a bad feeling about those guys. Even if†¦ well, even if she’s alive, I really don’t know how we’re going to find her. Short of some miraculous, magical solution.† I froze. â€Å"Oh my God.† â€Å"What is it?† he asked, looking at me in concern. â€Å"Did you remember something?† â€Å"Yes†¦ but not what you’re thinking.† I closed my eyes and took a deep breath. No, no, no. The thought in my head was crazy. I had no business even considering it. Dimitri had the right idea. We needed to focus on normal, concrete methods of locating Sonya. â€Å"Sage?† Adrian lightly touched my arm, and I jumped at the feel of his fingertips against my skin. â€Å"You okay?† â€Å"I don’t know,† I said softly. â€Å"I just thought of something crazy.† â€Å"Welcome to my world.† I looked away, conflicted about the decision before me. What I was contemplating†¦ well, some might argue it wasn’t so different than what I’d done before. And yet, it all came down to the fine line between doing something by choice and doing something because I had to. There was no question here. This would be a choice. An exercising of free will. â€Å"Adrian†¦ what if I had a way to find Sonya, but it went against everything I believe in?† He took several moments to answer. â€Å"Do you believe in getting Sonya back? If so, you wouldn’t be going against everything you believe in.† It was odd logic, but it gave me the nudge I needed. I took out my cell phone and dialed a number I almost never called – though I certainly received texts and calls from it all the time. An answer came after two rings. â€Å"Ms. Terwilliger? This is Sydney.† â€Å"Miss Melbourne. What I can do for you?† â€Å"I need to see you. It’s kind of urg – no, no ‘kind of’ about it. It’s urgent. Are you at the school?† â€Å"No. As shocking as it is, I do go home on occasion.† She paused for a moment. â€Å"However†¦ you are certainly welcome to come to my house.† I don’t know why that made me uneasy. After all, I spent plenty of time at Clarence’s. Surely a vampire’s sprawling estate was much worse than a high school teacher’s home. Of course, said teacher was also a witch, so I wasn’t certain if I could expect a boring suburban flat or a house made of candy. I swallowed. â€Å"Do you keep a lot of the same spell books at home that you do at school?† Adrian arched an eyebrow at the word spell. Ms. Terwilliger hesitated for much longer this time. â€Å"Yes,† she said. â€Å"And more.† She gave me her address, and before I could even hang up, Adrian said, â€Å"I’m coming with you.† â€Å"You don’t even know where I’m going.† â€Å"True,† he said. â€Å"But lack of information’s never stopped me before. Besides, I know it has something to do with Sonya, which is good enough for me. That, and you looked scared to death. There’s no way I can let you go alone.† I crossed my arms. â€Å"I’ve faced scarier things, and last I checked, it’s not your place to ‘let’ me do anything.† There was such concern in his face, however, that I knew I wouldn’t be able to refuse†¦ especially since I was kind of scared. â€Å"You have to promise not to tell anyone what we’re going to do. Or talk about what you see.† â€Å"Damn. What’s going on, Sage?† he asked. â€Å"Are we talking animal sacrifice or something?† â€Å"Adrian,† I said quietly. He grew serious again. â€Å"I promise. Not a word, unless you say otherwise.† I didn’t have to study him to know I could trust him. â€Å"Okay, then. But before we go, I need your hairbrush†¦Ã¢â‚¬  Ms. Terwilliger lived in Vista Azul, the same suburb Amberwood was in. To my surprise, the house really did look quite ordinary. It was small but otherwise blended in well to its older neighborhood. The sun had long since set when we arrived, and I was conscious of the school’s approaching curfew. When she let us into her house, I found the interior a bit more in line with what I’d been expecting. Sure, there was a TV and modern furniture, but the decor also featured a lot of candles and statuary of various gods and goddesses. The scent of Nag Champa hung in the air. I counted at least three cats in the first five minutes and didn’t doubt there were more. â€Å"Miss Melbourne, welcome.† Ms. Terwilliger took in Adrian with interest. â€Å"And welcome to your friend.† â€Å"My brother,† I said pointedly. â€Å"Adrian.† Ms. Terwilliger – fully aware of the Moroi world – smiled. â€Å"Yes. Of course. You attend Carlton, correct?† â€Å"Yeah,† said Adrian. â€Å"You’re the one who helped get me in, right? Thanks for that.† â€Å"Well,† said Ms. Terwilliger, with a shrug, â€Å"I’m always happy to help star pupils – especially those who are so diligent about keeping me in coffee. Now then, what’s this urgent matter that brings you out at night?† My eyes were already on a large bookcase in her living room. The shelves were filled with old, leather-bound books – exactly the kind she always made me work on. â€Å"Do you†¦ do you have a spell that would help locate someone?† I asked. Each word caused me pain. â€Å"I mean, I know they’re out there. I’ve come across them in my work a couple of times. But I was wondering if there was maybe one that you’d recommend over another.† Ms. Terwilliger laughed softly, and I looked away. â€Å"Well, well. This is definitely worth a late-night visit.† We were in her dining room, and she pulled out an ornate wooden chair to sit down. One of the cats brushed against her leg. â€Å"There are a number of location spells, certainly – though none are quite at your level. And by your level, I mean your constant refusal to practice or better yourself.† I scowled. â€Å"Is there one that you could do?† She shook her head. â€Å"No. This is your problem. You’re going to do it. You need to.† â€Å"Well, not if it’s beyond me!† I protested. â€Å"Please. This is a matter of life and death.† That, and I didn’t want to taint myself with her magic. Bad enough I was encouraging her at all. â€Å"Rest easy. I wouldn’t make you do it if you couldn’t handle it,† she said. â€Å"To make it work, however, it’s imperative we have something that can connect us to the person we’re looking for. There are spells where that’s not necessary – but those are definitely out of your league.† I produced Adrian’s brush from my purse. â€Å"Something like a strand of hair?† â€Å"Something exactly like that,† she said, clearly impressed. I’d remembered Adrian’s complaint about Sonya using some of his personal items. Although he apparently cleaned the brush regularly (and really, I’d expect nothing less from someone who spent so much time on his hair), there were still a few lingering red strands. Carefully, I plucked the longest one from the bristles and held it up. â€Å"What do I need to do?† I asked. I was trying to be strong, but my hands shook. â€Å"Let’s find out.† She rose and walked into the living room, studying the shelves. Adrian turned to me. â€Å"Is she for real?† He paused and reconsidered. â€Å"Are you for real? Spells? Magic? I mean, don’t get me wrong. I drink blood and control people’s minds. But I’ve never heard of anything like this.† â€Å"Neither had I until a month ago.† I sighed. â€Å"And unfortunately, it is real. Worse, she thinks I have a knack for it. Do you remember at all when one of the Strigoi in your apartment caught on fire?† â€Å"Vaguely, but yeah. It kind of all got brushed aside, and I never thought much about it.† He frowned, troubled by the memory. â€Å"I was out of it from the bite.† â€Å"Well, it wasn’t some freak accident. It was†¦ magic.† I gestured toward Ms. Terwilliger. â€Å"And I made it happen.† His eyes widened. â€Å"Are you some kind of mutant human? Like a fire user? And I use mutant as a compliment, you know. I wouldn’t think less of you.† â€Å"It’s not like vampire magic,† I said. Some part of me supposed I should be pleased that Adrian would still be friendly with a â€Å"mutant.† â€Å"It’s not some internal connection to the elements. According to her, some humans can work magic by pulling it from the world. It sounds crazy, but†¦ well. I did set a Strigoi on fire.† I could see Adrian taking all of this in as Ms. Terwilliger returned to us. She set down a book with a red leather cover and flipped through the pages before finding what she wanted. We all peered at it. â€Å"That’s not English,† said Adrian helpfully. â€Å"It’s just Greek,† I said, skimming the ingredient list. â€Å"It doesn’t seem to require much.† â€Å"That’s because a huge part of it is mental focus,† explained Ms. Terwilliger. â€Å"It’s more complicated than it looks. It’ll take you a few hours at least.† I took in the time on an ornate grandfather clock. â€Å"I don’t have a few hours. Too close to curfew.† â€Å"Easily remedied,† said Ms. Terwilliger. She picked up her cell phone from the table and dialed a number from memory. â€Å"Hello, Desiree? This is Jaclyn. Yes, fine. Thank you. I have Sydney Melrose out here right now, helping me on a very crucial project.† I nearly rolled my eyes. She was perfectly aware of my last name when she needed to be, apparently. â€Å"I’m afraid she might be out past the dorm curfew, and I was wondering if you’d be kind enough to allow an extension. Yes†¦ yes, I know. But it’s very important for my work, and I think we can all agree that with her exemplary record, she’s hardly the type we need to worry about abusing such privileges. She’s certainly one of the most trustworthy students I know.† That got a small smirk from Adrian. Thirty more seconds, and I was free of curfew. â€Å"Who’s Desiree?† I asked, once Ms. Terwilliger hung up. â€Å"Your dorm matron. Weathers.† â€Å"Really?† I thought of stout, motherly Mrs. Weathers. I never would’ve guessed her first name was Desiree. It was the kind of name I would associate with someone sultry and seductive. Maybe she had some scandalous life outside of school we didn’t know about. â€Å"So, do I have an all-night pass?† â€Å"Not sure I’d push it that far,† said Ms. Terwilliger. â€Å"But we certainly have enough time for this spell. I can’t make it for you, but I can help you with the ingredients and supplies.† I tapped the book, forgetting about my fear as I scanned the lengthy list. Details like this put me back in my comfort zone. â€Å"You have all of these?† â€Å"Of course.† Ms. Terwilliger led us down a hall that branched off from the kitchen, where I’d expect to find bedrooms. One room did indeed give us a glimpse of a bed as we walked by, but our eventual destination was something else altogether: a workshop. It was kind of what you’d get if you crossed a wizard’s lair with a mad scientist’s lab. Part of the room had very modern equipment: beakers, a sink, burners, etc. The rest was from a different era, vials of oils and dried herbs, along with scrolls and honest-to-goodness cauldrons. Plants and herbs lined the sill of a dark window. There were two more cats in here, and I was pretty sure they weren’t the same ones I’d seen in the living room. â€Å"It looks chaotic,† said Ms. Terwilliger. â€Å"But I daresay it’s organized enough, even for you.† Upon closer inspection, I saw she was right. All of the plants and little vials were labeled and in alphabetical order. All of the various tools were equally identified, enumerated by size and material. The room’s center was a large, smooth stone table, and I set the book down on it, careful to stay on the page I needed. â€Å"What now?† I asked. â€Å"Now, you construct it,† she said. â€Å"The more of it you do on your own, the stronger your connection will be to the spell. Certainly come and get me if you have trouble with the ingredients or the directions. Otherwise, the more of your focus and concentration that goes into this, the better.† â€Å"Where are you going to be?† I asked, startled. As much as I disliked the thought of working with her in a creepy, arcane lab, I disliked the thought of being alone here even more. She gestured toward where we’d come from. â€Å"Oh, just out there. I’ll entertain your ‘brother’ too since you really do need to do this alone.† My anxiety increased. I’d protested Adrian’s original request to come here, but now I wanted him around. â€Å"Can I at least get some coffee?† She chuckled. â€Å"Normally, I’d say yes – particularly if you were just doing grunt work to build an amulet or potion. Because you’ll be using your mind, the magic will work much better if your thoughts are free and clear of any substances that affect your mental state.† â€Å"Boy, that sounds familiar,† muttered Adrian. â€Å"Okay, then,† I said, resolving to be strong. â€Å"I need to get started. Sonya’s waiting.† Provided she was still alive to wait. Ms. Terwilliger left, telling me to get her when I was on the spell’s last stage. Adrian delayed a moment to speak with me. â€Å"You sure you’re okay with all of this? I mean, from what I know about you and the Alchemists†¦ well, it seems like you’d actually be pretty not-okay with this.† â€Å"I’m not,† I agreed. â€Å"Like I said, this goes against everything I believe – against everything they’ve taught me. Which is why you can’t tell anyone. You heard her passive aggressive remark about me not practicing? She’s been on me for a while now to develop my so-called magical skills, and I keep refusing – because it’s wrong. So, she has me research spell books for my independent study with her, in the hopes of me learning by osmosis.† â€Å"That’s messed up,† he said, shaking his head. â€Å"You don’t have to do this. You don’t have to do anything you don’t want to.† I gave him a small smile. â€Å"Well, I want to find Sonya. So I do have to do this.† He gave me no smile in return. â€Å"Okay. But I’m just going to be out there – having a tea party with her cats or whatever it is she has in mind. You need me? You yell. You want to leave? We go. I’ll get you out of here, no matter what.† Something clenched in my chest, and for a moment, the whole world narrowed down to the green of his eyes. â€Å"Thank you.† Adrian left, and I was alone. Well, almost. One of the cats had stuck around, a sleek black one with yellow eyes. It was lying on a high shelf, watching me curiously, like it wondered if I could really pull this off. That made two of us. For a moment, I couldn’t move. I was about to willingly work magic. All the protests and arguments I’d given Ms. Terwilliger were like ash in the wind now. I started trembling and felt short of breath. Then, I thought about Sonya. Kind, brave Sonya. She’d devoted so much energy and time to doing the right thing. How could I do any less? As I’d noted to Ms. Terwilliger, the spell was deceptively simple. It didn’t require half as many steps as the fire amulet. I had to keep water simmering in a copper cauldron and add different ingredients to it, most of which were clear oils that had to be measured with exacting care. The air soon grew heavy with the scent of bergamot, vanilla, and heliotrope. Some of the steps had the same ritual redundancy I’d done before. For example, I had to pluck thirteen fresh mint leaves off one of her plants, dropping each leaf in one at a time while counting them off in Greek. Then, when they had simmered for thirteen minutes, I had to remove each one with a rosewood spoon. Before leaving, Ms. Terwilliger had told me to stay focused and think about both the steps of the spell and what I was ultimately hoping to accomplish. So, I turned my thoughts toward Sonya and finding her, praying that she was okay. When I finally finished these initial steps, I saw that almost an hour had gone by. I’d barely noticed it passing. I wiped a hand over my forehead, surprised at how much the steamy room had made me sweat. I went out to find Ms. Terwilliger and Adrian, uncertain what weird activity I’d find going on. Instead, things were pretty ordinary: they were watching TV. Both glanced up at my approach. â€Å"Ready?† she asked. I nodded. â€Å"Smells like tea in here,† said Adrian, as they followed me to the workroom. Ms. Terwilliger examined the small cauldron and nodded her head in approval. â€Å"It looks excellent.† I didn’t know how she could tell at a glance but figured I’d take her word for it. â€Å"Now. The actual scrying involves a silver plate, correct?† She scanned her shelves of dishes and pointed at something. â€Å"There. Use that.† I pulled down a perfectly round plate about twelve inches across. It was smooth, with no ornamentation, and had been polished to such brilliance that it reflected almost as well as a mirror. I probably could’ve done without that part, though, seeing as my hair and makeup were showing the wear and tear of the day. Around anyone else, I would have felt selfconscious. I set the plate on the worktable and poured one cup of water from the cauldron onto the silvery surface. All non-liquid ingredients had been removed, and the water was perfectly clear. Once it stopped rippling, the mirror effect returned. Ms. Terwilliger handed me a tiny bowl of galbanum incense, which the book said should be burning during this last stage. I lit the resin with a candle, and a bitter, green smell wafted up, contrasting with the sweetness of the liquid. â€Å"You still have the hair?† Ms. Terwilliger asked. â€Å"Of course.† I laid it across the water’s smooth surface. Part of me wanted something to happen – sparks or smoke – but I’d read the directions and knew better. I pulled a stool up to the table and sat on it, allowing me to gaze down into the water. â€Å"Now I look?† â€Å"Now you look,† she confirmed. â€Å"Your mind needs to be both focused and spread out. You need to think about the components of the spell and the magic they hold, as well as your desire to find the spell’s subject. At the same time, you need to maintain a perfect clarity of mind and stay fixed on your task with razor sharp focus.† I looked down at my reflection and tried to do all those things she’d just described. Nothing happened. â€Å"I don’t see anything.† â€Å"Of course not,† she said. â€Å"It’s only been a minute. I told you this was an advanced spell. It may take a while for you to fully muster the strength and power you need. Stay on task. We’ll be waiting.† The two of them left. I stared bleakly at the water, wondering how long â€Å"a while† was. I’d been excited when the spell seemed so simple originally. Now, I wished there were more ingredients to mix, more incantations to recite. This high-level magic, relying on will and mental energy, was much more difficult – mainly because it was intangible. I liked the concrete. I liked to know exactly what was needed to make something happen. Cause and effect. But this? This was just me staring and staring, hoping I was â€Å"staying fixed† and using â€Å"razor sharp focus.† How would I know if I was? Even if I achieved that state, it might still take a while to manifest what I needed. I tried not to think of that yet. Sonya. Sonya was all that mattered right now. All of my will and energy had to go into saving her. I kept telling myself that as the minutes ticked by. Each time I was certain I should stop and ask Ms. Terwilliger what to do, I would force myself to keep looking into the water. Sonya, Sonya. Think about Sonya. And still, nothing happened. Finally, when an ache in my back made sitting unbearable, I stood up to stretch. The rest of my muscles were starting to cramp up too. I walked back to the living room; almost an hour and a half had passed since I’d last been out here. â€Å"Anything?† asked Ms. Terwilliger. â€Å"No,† I said. â€Å"I must be doing something wrong.† â€Å"You’re focusing your mind? Thinking about her? About finding her?† I was really tired of hearing the word focus. Frustration was replacing my earlier anxiety about magic. â€Å"Yes, yes, and yes,† I said. â€Å"But it’s still not working.† She shrugged. â€Å"And that’s why we have a curfew extension. Try again.† Adrian flashed me a sympathetic look and started to say something – but then thought better of it. I nearly left but paused as a troublesome thought nagged at me. â€Å"What if she’s not alive?† I asked. â€Å"Could that be why it’s not working?† Ms. Terwilliger shook her head. â€Å"No. You’d still see something if she wasn’t. And†¦ well, you’d know.† I returned to the workroom and tried again – with similar results. The next time I went to talk to Ms. Terwilliger, I saw that it hadn’t been quite an hour. â€Å"I’m doing something wrong,† I insisted. â€Å"Either that, or I messed up the initial spell. Or this really is beyond me.† â€Å"If I know you, the spell was flawless,† she said. â€Å"And no, this isn’t beyond you, but only you have the power to make it happen.† I was too tired to parse her esoteric philosophy nonsense. I turned without a word and trudged back to the workroom. When I reached it, I discovered I’d been followed. I looked up at Adrian and sighed. â€Å"No distractions, remember?† I said. â€Å"I won’t stay,† he said. â€Å"I just wanted to make sure you’re okay.† â€Å"Yeah†¦ I mean, I don’t know. In as much as anyone can be with all of this.† I nodded toward the silver plate. â€Å"Maybe I do need you to get me out of here.† He considered for a moment and then shook his head. â€Å"I don’t think that’s a good idea.† I stared up at him in disbelief. â€Å"What happened to me not having to do anything I didn’t want to do? And you nobly defending me?† One of his knowing little smiles played over his lips. â€Å"Well. That was back when you didn’t want to do this because it challenged all your beliefs. Now that the line is crossed, your problem seems to be a little pessimism and not believing you can do this. And honestly, that’s bullshit.† â€Å"A little pessimism?† I exclaimed. â€Å"Adrian, I’ve been staring at a bowl of water for over two hours! It’s nearly one thirty. I’m exhausted, I want coffee, and every muscle in my body hurts. Oh, and I’m about ready to throw up from that incense.† â€Å"Those things all suck,† he agreed. â€Å"But I seem to recall you giving all of us lectures recently about enduring hardships to do what’s right. Are you saying you can’t do that to help Sonya?† â€Å"I would do anything to help her! Anything within my power, that is. And I don’t think this is.† â€Å"I don’t know,† he speculated. â€Å"I’ve had a lot of time to talk to Jackie – she lets me call her that, you know – and I’ve learned all about this human magic stuff. There’s a lot you can do with it.† â€Å"It’s wrong,† I grumbled. â€Å"And yet here you are, with the ability to find Sonya.† Adrian hesitated and then, reaching some decision, stepped toward me and rested his hands on my shoulders. â€Å"Jackie told me that you’re one of the most naturally gifted people she’s ever encountered for this kind of stuff. She said that with a little practice, a spell like this’ll be cake for you, and she’s certain you can pull it off now. And I believe her. Not because I have proof you’re magically talented but because I’ve seen how you approach everything else. You won’t fail at this. You don’t fail at anything.† I was so exhausted I thought I might cry. I wanted to fall forward and have him carry me out of here, like he’d promised earlier. â€Å"That’s the problem. I don’t fail, but I’m afraid I will now. I don’t know what it’s like. And it terrifies me.† Especially because Sonya’s life depends on me. Adrian reached out and traced the lily on my cheek. â€Å"You won’t have to find out what it’s like tonight because you aren’t going to fail. You can do this. And I’ll be here with you as long as it takes, okay?† I took a deep breath and tried to calm myself. â€Å"Okay.† I returned to my stool after he left and tried to ignore the fatigue in my body and mind. I thought about what he’d said, about how I wouldn’t fail. I thought about his faith in me. And most importantly, I thought about Sonya. I thought about how desperately I wanted to help her. All these things churned within me as I stared at the water, crystal clear except for the hair floating in it. One red line against all that silver. It was like a spark of fire, a spark that grew brighter and brighter in my eyes until it took on a more definite shape, a circle with stylized lines radiating from it. A sun, I realized. Someone had painted an orange sun onto a piece of plywood and hung it on a chain-link fence. Even with the shoddy canvas, the artist had gone to a lot of care in painting the sun, stylizing the rays and making sure the lengths were consistent with each other. The fence itself was ugly and industrial, and I caught sight of what looked like an electrifying box hanging on it. The landscape was brown and barren, but mountains in the distance told me it was still the greater Palm Springs area. This was kind of like the area Wolfe lived in, outside of town and away from the pretty greenery. Through the fence, beyond the sign, I caught sight of a large, sprawli ng building – â€Å"Ow!† The vision vanished as my head hit the floor. I had fallen off the stool. I managed to sit up, but that was all I could do. The world was spinning, and my stomach felt queasy and empty. After what could have been three seconds or three hours, I heard voices and footsteps. Strong arms caught hold of me, and Adrian helped me to my feet. I clung to the table while he picked the stool up and helped me sit back down. Ms. Terwilliger pushed the silver plate aside and replaced it with an ordinary kitchen plate filled with cheese and crackers. A glass of orange juice soon joined it. â€Å"Here,† she said. â€Å"Eat these. You’ll feel better.† I was so disoriented and weak that I didn’t even hesitate. I ate and drank as though I hadn’t eaten in a week while Adrian and Ms. Terwilliger waited patiently. It was only when I’d practically licked the plate clean that I realized what I’d just consumed. â€Å"Havarti and orange juice?† I groaned. â€Å"That’s too much fat and sugar for this time of night.† Adrian scoffed. â€Å"Glad to see there’s no lasting damage.† â€Å"Get used to it if you’re going to be using magic a lot,† said Ms. Terwilliger. â€Å"Spells can deplete you. Not unusual at all to have your blood sugar drop afterward. Orange juice will become your best friend.† â€Å"I’ll never get used to it, seeing as I’m not going to – † I gasped, as the images I’d seen in the silver plate came tumbling back to me. â€Å"Sonya! I think I saw where she’s at.† I described what I’d seen, though none of us had any clue about where or what this place might be. â€Å"You’re sure it was like a regular sun? With rays?† asked Adrian. â€Å"Because I thought the hunters used that old Alchemist one – the circle and dot.† â€Å"They do, but this was definitely – oh God.† I looked up at Adrian. â€Å"We have to get back to Amberwood. Right now.† â€Å"Not after that,† said Ms. Terwilliger. She was using her stern teacher voice. â€Å"That took more from you than I expected. Sleep here, and I’ll make sure everything’s cleared up with Desiree and the school tomorrow.† â€Å"No.† I stood up and felt my legs start to buckle, but in the end, they held. Adrian put a supportive arm around me, clearly not believing in my body’s recovery. â€Å"I have to get back there. I think I know how we can find out where this place is.† Adrian was right that the sun I’d just described wasn’t the design that had been on the sword or brochure. Both of those had used the ancient symbol. The one in my vision was a more modern adaptation – and this wasn’t the first time I’d seen it. The sun in my vision was an exact match for Trey’s tattoo. How to cite The Golden Lily Chapter 19, Essay examples

Abandoned Medically Fragile Infants Assistance Act of 1995 free essay sample

A study on the New Jersey legislation, Abandoned and Medically Fragile Infants Assistance Act of 1995. This paper examines the New Jersey legislation, Assistance Act of 1995 for abandoned and medically fragile infants, which was designed to curb the continuously increasing numbers of infants who were either abandoned by parents who are simply incapable of providing proper nurturing environment for their child. It explores the possible social reasons for the abandonment. The paper describes grants and provision of services available and foster families and foster care institutes to better utilize them for the benefit of all those medically fragile infants. Table of Contents Review of the Act Purpose of the Act Congress Research Findings Grants for Projects/Services Priority in Provision of Services Case Plan With Respect to Foster Care Administration of Grant Requirements of Application: Grants to provide nurturing home environments family-centered services for medically fragile infants Evaluations, Studies Reports by Secretary Definitions Abandoned Abandonment Dangerous Drugs Natural Family Acquired Immune Deficiency Syndrome Secretary Authorization of Appropriations Recommendations Works Cited On March 16, 1995, In the House of Representatives, Mr. We will write a custom essay sample on Abandoned Medically Fragile Infants: Assistance Act of 1995 or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Payne of New Jersey introduced a bill, which was referred to the Committee on Economic and Educational Opportunities. The main motive behind this act was to establish a program that would assist abandoned and medically fragile infants. Consequently; the bill was cited as Abandoned and Medically Fragile Infants Assistance Act of 1995.